“Director Matilda Dixon-Smith has created something so dark and twisted, yet utterly brilliant, in its illumination of how society treats women.”

“Bachelorette is well managed, beautifully realized, flawlessly put together, finely tuned and smoothly presented.”

“In Twelve Angry‘s latest production, the infamous Scottish play is retold in an intriguing and thought-provoking way.”

“The strength of this theme, as well as strong performances from the cast, ensures that Twelve Angry’s production is as captivating as it is thought provoking.”

“You’ll find an exemplary production of politically meaningful engagement with Shakespeare.”

“an ambitious undertaking that seeks to draw out the darkness beneath the humour that so often goes unnoticed and shine a bright and unflinching spotlight on domestic violence.”

“The set designers, actors, writing team and director demonstrate a great deal of care and attention to comedic detail, and their collaborative skill shines through in the diversity of gags and character types.”

“The dialogue was spot-on for contemporary Melbourne [. . .] All in all, an exciting musical with plenty of promise.”

“Emerging young talent of this ilk deserve their efforts to skyrocket and hopefully grace larger spaces where microphones will suit just fine.”

“Under the excellent direction of Matilda Dixon-Smith, a strong cast of seven is featured – each playing believable, developed characters who form as many intertwined relationships as a soap opera. Four stars.”

“The performances were bold and brave and I feel that the play’s lasting legacy was its youth and exuberance.”

“FLW’s production of Sarah Ruhl’s In The Next Room (or the Vibrator Play) delivers an electric (!) depiction of this age trapped between old and new.”

“Dixon-Smith’s direction is tasteful and for the most part shows an intellectual engagement with issues beyond the text. I was surprised and relieved to see the “sex” of the show not overplayed and instead she delivers a much needed subtlety. ”

“This cleverly woven blend of rom-com and feminist farce is an even match for a strong cast. Under the direction of Matilda Dixon Smith, each performance is imbued with a utilitarian stiffness, highlighting the Wildean charm of each line.”

“A lot of thought and attention went into sound design, costume design and the overall concept of the production.”

““The History Boys” is a captivating work that showcases the talents of an exceptional cast, both individually and as a larger ensemble.”

“FLW Theatre ambitiously presents this lengthy, complex play [. . .] and pulls it off with a unique edge and a vitalising spark.”

“The dancers, actors and musicians all showcased hard work, fun and a spirited team effort to communicate this compelling love story, and are certainly to be commended.”